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Monika Grzymala, Distortions 2008, installation shot. Image: catrionajeffries.com
KELLY WOOD AND MONIKA GRZYMALA
At Catriona Jeffries, Vancouver, 18 January – 16 February, 2008
This exhibition brings together works by gallery artist Kelly Wood and Hamburg-based artist Monika Grzymala.Kelly Wood will show a new series of ten unique, large, near-monochromatic photographic images that depict the binary code formats of digital recordings of ten songs. Wood has selected recordings of innovative Canadian electronic or avant-garde music, ranging from Hugh Le Caine’s “dripsody”—composed in 1955 from a sound sample of a drip of water falling in a pail—to recordings by Intersystems, the Nihilist Spasm Band, John Oswald and the UJ3RK5.

Kelly Wood, Garbage Bag (No. 5), 2001, C-print. Image: catrionajeffries.com
Based in Hamburg and Berlin, Monika Grzymala will produce an installation entitled Distortion, comprised of approximately seven kilometres of adhesive tape.
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Kelly Wood, Howard Shore-Welcome to Videodrome (1982), 2007. Image: catrionajeffries.com
Grzymala’s installation is related to visual interference and pixellation—the random errors and digital distortions which appear accidentally in electronic imagery.For more information, please visit the gallery’s website HERE.
Andrea Carson writes on contemporary art, architecture and design...
1 comment so far ↓
That last black-and-white work is a Kelly, not a Monika.
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