Entries from May 2009 ↓

On Art Schools

How relevant are art schools today? Do artists really require education beyond basic technical training? Do art institutions hinder, rather than help the creative expression of artists today?


Bruce Nauman, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign), 1967.
Image: truthinart.wordpress.com

And what does Bruce Nauman think?

Read my opinion piece on the brand new news website, The Mark.

Click HERE.

The Museum: A Doc on the ROM

“This is a story of a man’s ambition: for a museum, for a city, and ultimately, for himself…”

Thus begins The Museum, Kenton Vaughn’s insider glimpse into Daniel Libeskind’s controversial extension to Toronto’s Royal Ontario Museum. The documentary, which is released on dvd this weekend, is a revealing look at the process of building the ROM crystal, from the hubris and passion to the dangers of pinning ones’ hopes on ‘starchitecture’.


Architect Daniel Libeskind explains the concept of his building to ROM director William Thorsell. Image: nationalpost.com

William Thorsell seems to have been so convinced of Libeskind’s star power – “I feel like the person in the middle of a miracle,” he says – that he was blinded to the realities of the situation, most notably that Libeskind wasn’t all that experienced.

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Surrealist Films: Luis Buñuel, Salvador Dali, Germaine Dulac and more

In conjunction with the Art Gallery of Ontario’s excellent exhibition Surreal Things – which we reviewed HERE, Cinematheque Ontario is screening an impressive series of Surrealist films.


A still from Un Chien Andalou, 1929. Image: midnightcafe.com

The films include Un Chien Andalou (1929), Surrealism’s most famous film, by Salvador Dalí and Luis Buñuel. Billed as “a staggering assault on beauty and normality”, the film is of course a non-sensical series of events that occur between a ‘wife’ and her ‘lover’, depicted in black and white with a wonderful soundtrack. The film’s famous scene where a woman’s eyeball is cut open is presented casually, at the film’s start, as if to prepare the viewer for what they are in for. (Nothing too unnerving, it turns out)

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Montreal: Kalup Linzy, Michal Rovner, The Wrong Corpse, Icelandic Love Corp.

Kalup Linzy: Recessed Depressed… Child Just Tell Me…
May 8 – June 13, 2009
Parisian Laundry


Kalup Linzy. Image: artnews.org

One of the hottest names in video art, Linzy’s best known work is a series of video art pieces satirizing the tone and narrative approach of television soap opera. Linzy performs most of the characters himself, and was once described as ‘Part Richard Pryor, part RuPaul.

Click HERE for more info on Linzy, and some great videos.

Click HERE for Parisian Laundry’s website.

COMING UP!
Michal Rovner: Particles of Reality
DHC Art Foundation
May 21 – September 27, 2009

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VoCA Loves…Kerri Reid

We were struck by Toronto artist Kerri Reid’s dust drawings when we saw them at Red Bull gallery, as part of the excellent exhibition What It Really Is, curated by the hot young curator Nick Brown, in Toronto back in January.

sawdust-pile-_5.jpg

We’ve seen artwork in this vein before, but we’re always impressed by work that is so well produced and executed. And Kerri’s obsession with detail is remarkable, as is the fact that she sees value is reproducing images of dust. (Dust!)

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The Recession: Best or Worst for Art?

In the current issue of VoCA’s favorite magazine, Art + Auction, Jori Finkel tries – without success – to present an opposing argument to what we have been saying for months (along with other critics, including the fabulous New Yorkers Holland Cotter and Jerry Saltz):

That the economic shakedown is the best thing that could have happened to the art world.


Will Kent Monkman, one of Canada’s most overrated artists (we think), survive the recession?
Si je t’aime prends garde à toi, 2007. Image: canadianart.ca

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Surreal Things: Art Gallery of Ontario, Toronto

Surreal Things
May 9 – August 30, 2009
Art Gallery of Ontario, Toronto

This is an excellent show, well worth seeing.

ruby-lips-594.jpg
Salvador Dali, Ruby Lips brooch, 1949. Image: ago.net

It comes from London’s Victoria and Albert Museum, and is filled with marvelous objects that demonstrate the creative cross-fertilization between surrealist artists and designers.

There are stunningly modern Schiaparelli dresses, ceramics, textiles, jewellery and, of course Duchamp’s famous readymades.

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Loved: Renzo Martens, Enjoy Poverty

Last night we saw Enjoy Poverty at Hot Docs, the documentary film festival currently on in Toronto.


The neon sign. Image: fadwebsite.com

Seeing as how it was sponsored by the Power Plant Contemporary Art Gallery, we were surprised to recognize only two artists – Lisa Steele and Kim Tomczak – in the audience.

The film sees Dutch artist Renzo Martens travel through the Congo armed with a camera and an enormous neon sign that reads, in English, ‘Enjoy Poverty (please)’, which he erects at various intervals amid desperately poor Congolese villagers.

There’s something incredibly uncomfortable about watching someone with his own agenda filming the tragedy of poverty stricken Africa. He befriends the villagers and interviews them about the difficulty of their situation, their malnourished children and the fact that they barely make enough to get by.

They put their trust in him, but his own agenda (to put up his signs in their villages) is entirely foreign to them. Even as he explains to them that their situation is unlikely to change, the bewilderment on their faces is clear. He’s here, what can they do? To the audience it verges on a kind of exploitation.

Until you realize what’s really going on.

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Two Exhibitions – Highly Recommended: Toronto, Vancouver

Here are two exhibitions worth checking out on either side of the country this month:

1. Toronto
South Asian Visual Arts Centre at the University of Toronto Arts Centre
The One Year Drawing Project: May 2005 – October 2007: A Sri Lankan artists’ collaboration
25 May – 1 August 2009


Image: savac.net

In May 2005, four artists simultaneously created four unique drawings in their respective studios in Sri Lanka. These drawings were exchanged by post, finding their way between Jaffna in the north and the suburbs of the capital Colombo.

Upon receipt of the drawings, four more were generated in response to the first set of drawings, creating a chain of events that evolved into the One Year Drawing Project.

The participating artists in this drawing exchange are four of Sri Lanka’s most critically acclaimed contemporary artists – Muhanned Cader, Thamotharampillai Shanaathanan, Chandraguptha Thenuwara and Jagath Weerasinghe.

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On Art and Patronage: Miuccia Prada

“Money and art: it’s a difficult question,” (says Miuccia Prada.) “But art has always been about very rich people – think of the great popes and princes of the Renaissance.”


The Prada Transformer, Rem Koolhaas’s incredible re-think of what architecture is. Image: gadget.ca

We think Ms. Prada is on to something here. Today, we were at a talk sponsored by the Canadian Art Foundation, by the Paris-based curator Vincent Honore, who works for the David Roberts Art Foundation in London.

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