So I was just in Venice, to see the Biennale. Art-wise, there wasn’t much that really wowed me, so I’ll start with the fantastic newly-restored Olivetti store in Piazza San Marco. Designed by the late, great Venetian architect Carlo Scarpa (one of my favorites) in 1957-58, the space has been turned into a stunning museum space by the city. They even got the original models of Olivetti typewriters that were on display when the shop opened.

But the shop was never designed to be simply a shop. It was intended as a ‘business card’, that would showcase Olivetti’s attention to detail and affinity for good design, which was legendary. (Ettore Sottsass designed their amazing Valentine, in 1969.)

Despite his brilliance, Scarpa was apparently difficult to work with, often taking years longer to complete projects that was originally agreed.

But I think it’s clear in retrospect that it would have been worth the wait.

All photos by Scott Barker. More after the jump…

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As the summer gallery season gets underway, here are my picks for the country’s best blockbuster exhibitions:

THE COLOUR OF MY DREAMS: THE SURREALIST REVOLUTION IN ART
Vancouver Art Gallery
Through September 25, 2011

Man Ray, close up of The Kiss, 1930. Image: ultraorange.net

The VAG has organized the most comprehensive survey of Surrealist art ever to be shown in Canada. With 350 works by all the masters (Man Ray, Rene Magritte, Dali and Andre Breton, author of the Surrealist Manifesto), it also will “reveal the Surrealists’ passionate interest in indigenous art of the Pacific Northwest.” Given that the exhibition will include works from the Guggenheim, the Metropolitan, the MoMA, the Reina Sophia, the Georges Pompidou and the Tate, it should be pretty good.

Shary Boyle, Lovers, 2009. Image: canadianart.ca

Is Surrealism having a ‘moment’? The work of much celebrated Canadian artist Shary Boyle comes to mind, as does the work of several of this year’s Sobey Prize shortlisters (hello, Zeke Moores and the excellent Manon de Pauw)

Manon de Pauw, L’atelier d’écriture, a video and sound installation, and performance from 2006-7.

From de Pauw’s website: “In (this) video series, groups of artists are gathered in silence around a table, and given basic choreographic instructions. Throughout the session, the act of writing is transformed into line, drawing, collage, and audible rhythm.”
Check out the VAG’s website, HERE

CARAVAGGIO!
Caravaggio and his followers in Rome
National Gallery of Canada, Ottawa
17 June – 11 September 2011

John the Baptist, by Caravaggio (1571-1610). Image: wikimedia.org

Canada’s first exhibition devoted to the work of the truly brilliant Michelangelo Merisi da Caravaggio is a little late – after numerous shows of the artsts work circulated in Europe over the past few decades he has rightfully become the hottest, and arguably the most modern of the Old Masters.

But better late than never, and it’s always a joy to see these dramatic works, in this case juxtaposed against works by painters whom he inspired, including Peter Paul Rubens and Orazio Gentileschi. If you haven’t seen Caravaggio’s works in person (and even if you have), this will surely be a must-see show!

Click HERE for the gallery’s website.

ABSTRACT EXPRESSIONIST NEW YORK
Art Gallery of Ontario, Toronto
Through September 4, 2011

Franz Kline, Cardinal, 1950. Image: friendsofart.net

This show, coming from MoMA to Toronto features over 100 works by major American masters including Jackson Pollock, Mark Rothko (a play about whom, incidentally, is coming to Canstage soon after having rave reviews in NYC) and, from what I hear, some fantastic Franz Klines. Of course, it’s always nice to see de Kooning’s work, though I also hear there aren’t as many as have been reported in this show.

A scene from John Logan’s play, RED about artist Mark Rothko. Image: artknowledgenews.com

These are works by artists who are, to put it mildly, darlings at auction. Pollock’s No. 5, 1948 de Koonings Woman III went for the second highest price, $137.5 million a few days later.

As the AGO notes, this is “a generation of artists who catapulted New York to the centre of the international art world in the 1950s,” reason enough to see the show.

Click HERE for more info.

In honour of all the weddings taking place this June (including my own) I thought I would show the most famous wedding painting of them all: The Arnolfini Portrait, painted by the incredibly brilliant Flemish painter Jan van Eyck in 1434 and known to all first year students of art history as an excellent example of symbolism in painting.

The Arnolfini Portrait by Jan van Eyck, 1434. Image: Britannica.com

Historians still theorize about the purpose of the painting and whom, exactly it was depicting. Most agree that is was a portrait intended to commemorate a marriage and to display the wealth of the Italian merchant Giovanni Arnolfini and his wife. The many symbolic elements seem to add up to the depiction of a couple who are looking forward to life together, with numerous elements suggesting wealth, passion, loyalty, gender roles etc.

With its minute and extremely precise reflection of the scene in a convex mirror at the back of the room, it is a rather modern and admirably complex picture.

The painting is in London’s National Gallery.