Today, I went to the media preview of Haute Culture, the retrospective of famed Canadian artist collective General Idea, which opens this Friday with a FREE party at the Art Gallery of Ontario in Toronto.
I had a few minutes to chat with AA Bronson, who reminded me of his upcoming solo exhibition at Esther Schipper Gallery in Berlin, in which he will be showing large self portraits with diamonds. Not the Warhol-style diamond dust, mind you….but actual diamonds. Though based in New York, AA currently shows only with commercial galleries in Europe, now that his New York gallery John Connelly Presents has closed. And in Canada, it seems our market is just not able to support him. He’s never been particularly well embraced in Canada, he says. Hopefully the retrospective will go some way toward changing that. It was supported by some of the city’s well-known collectors.
Incidentally, some in the Toronto art world will find it interesting that the retrospective was a project begun by former AGO curator of contemporary art David Moos, when he was still at the AGO.
The GI retrospective comes from La Musée d’Art Moderne in Paris, where it was apparently a big success. Curator Frederic Bonnet explained that it is arranged thematically, rather than chronologically, which in the case of GI, is helpful. The themes are, according to Bonnet: Glamour as tool of creation; Mass cultures; Architecture/Archaeology; Sexuality/Ambiguity and the AIDS project.
The group famously used the mass media as a vehicle for art, putting art on television and printing a magazine FILE. They employed an impressive range of materials, from work in plaster, taxidermy, gold leaf, fluorescent tube…there is even straw on the floor of one fantastic installation, making the gallery smell like a barn. In it, the poodles (the artists) are contemplating the Canis Major constellation in the Milky Way. It’s quite funny.
P is for Poodle (The Milky Way from the 1984 Miss General Idea Pavillion) 1982-83, mixed media installation, Collection of the Carmen Lamanna Estate, Toronto
Image courtesy the Estate of General Idea; © Pierre Antoine, Muse?e d’art moderne de la Ville de Paris / ARC, 2011.
The image of the artists as three poodles is interesting, inserted so often as it is into a broader art history. My favorite piece (not only because I’m a big fan of IKB) was the send up of Yves Klein’s Anthropometry works, which they recreated with taxidermy poodles.
They then painted three large X’s onto the canvas, which they say (in a nearby video piece) function as “kisses, targets, signatures…”
Here are some more photos of my favorite pieces:
Infe©ted Mondrian n°6 1994, Collection of Franco and Barbara Noero
AIDS, 1987, silkscreen wallpaper. Image courtesy the Estate of General Idea; © Pierre Antoine, Muse?e d’art moderne de la Ville de Paris / ARC, 2011.
While General Idea is of course legendary, I’m quite interested in the work that AA has been doing in his solo career, particularly since his partners Felix Partz and Jorge Zonthal passed away in 1994. He has reinvented himself as AA Bronson: Healer, and curated the School for Young Shamans in 2008 at John Connelly Presents, which I briefly blogged about HERE. Presently, at New York’s Union Theological Seminary he is director of The Institute for Art, Religion and Social Justice, whose mission it is to explore the interrelationship between the three.