Your Cultural Concierge! VoCA offers critical commentary on the Canadian art scene, with a focus on Toronto. Featuring exhibition previews, critics picks, interviews and in-depth articles on art in Vancouver, Calgary, Winnipeg, Ottawa and Halifax.
Oscar Neimayer, Novomuseu, Curibita, Brazil. Image: Mario Roberto Duran Ortiz
For this year’s Sao Paolo Biennale (October - December 2008), director Ivo Mesquita has revealed that he intends to organise an exhibition with no works of art.
“it is the mystery, the wonder, the presence of the real that is our singular distinction and that we should proudly, joyfully proclaim.”
- Philippe de Montebello, director of the Metropolitan Museum of Art, New York
Jeff Wall, Picture for Women, 1979. Image: courses.washington.edu
What happens if a politicised conceptual artist loves beauty? The Canadian artist Jeff Wall launched his career with “Picture for Women” – a clever photographic reprise of “A Bar at the Folies Bergère” – in the 1970s, a time when aesthetic seduction roughly approximated to the evils of capitalism. Wall was too intelligent, innovative and ethically committed to ignore the current sensibility, but too finely tuned as an artist, and too steeped in art history’s pleasures, to accept the taboo on beauty. So he came up with a method of image-making that referenced Manet as well as Donald Judd, Cézanne as well as Dan Flavin, and revolutionised late 20th-century art photography.
Gustav Klimt, Giuditta I. Image: dipintiautenticita.com
The booming art market means that crime really can pay, especially if you know how to knock up a phoney Picasso or dodgy Dali….Read more in this article from the Independent:
Norval Morrisseau,The Offering, acrylic on satin, 1976. Image: coastline-publishing.com
Aboriginal artist Norval Morrisseau has died. The only First Nations artist to have had a solo show at the National Gallery of Canada, (in 2006) in 1978 he was appointed to the Order of Canada.
Scott McFarland, Orchard View, Early Spring; Rubus discolour, Prunus nigra, Prunus serrulata, 2004.
Image: monteclarkgallery.com
In her review of the New Photography 2007 exhibition at New York’s MoMA, the New York Times‘ Martha Schwendener had this to say about Vancouver artist Scott MacFarland’s work:
Mr. McFarland’s picture of a young family watching a keeper feed porcupines at the Berlin Zoo could be a (Jeff) Wall from around 1989 or a student facsimile. (It’s no surprise, then, to discover that Mr. McFarland once worked as Mr. Wall’s assistant.)
Mr. McFarland’s photographs of nature controlled by human beings — an orchard digitally manipulated to present all four seasons at once or a series merging different areas in a botanical garden — recall Thomas Struth.
Mr. McFarland’s aesthetic and techniques feel overly familiar and dated.
Eli Broad with his art collection. Image: forbes.com
1. American billionaire contemporary art collector Eli Broad, who has amassed an 1,800-piece collection and will have a wing of the Los Angeles County Museum of Art (Lacma) named after him in February, thinks art prices are heading for a fall: