Archive for the 'Sculpture/Installation' Category

Silver Lake Operations #1

Art & Nature: A Call to Action

With the recent flooding in Calgary, the oil spill in Quebec and heat waves in other parts of the world, there’s been much recent discussion that’s gotten me thinking about our environment. And of course, I like to relate it to visual art. Edward Burtynsky, Silver Lake Operations #1 (Lake Lefroy, Western Australia, 2007) Image: artobserved.com If you look at
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One Week in London & Geoffrey Farmer at the Barbican

I’m just back from a week’s holiday in London. I skipped the Venice Biennale this year – you can’t do everything, though I hear it was pretty great – and instead we spent time with our friends. A full week in London was a rare treat. The St. Martins College building at King’s Cross, with cool silver zig zag. All
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Grow Op: Landscape at the Gladstone, Part Two

This is part two of my blog post about Grow Op, the exhibition on this weekend at Toronto’s Gladstone Hotel. Artists and designers have created installations – one in each room – on the second floor of the hotel, in the same way as they do for the well-known alternative design show, Come Up To My Room. I always discover
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Grow Op: Meditations on Landscape at the Gladstone Hotel, Part One

I stopped by the Gladstone Hotel‘s latest design exhibition last night. Curated by landscape architect Victoria Taylor, it’s the inaugural year of Grow Op, a landscape-based exhibition of experimental works that seek to ‘uncover new ways of expression and meaning through projects that represent a wide range of approaches from the prosaic to the poetic, the elemental to the ephemeral.’
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Daniel Barrow: 2013 Glenfiddich Prize Winner

Winnipeg-born, Montreal-based visual and performance artist Daniel Barrow, winner of the 2010 Sobey Art Award, was recently awarded the coveted 2013 Glenfiddich Artist-in-Residence Prize, valued at over $20,000. VoCA contributor Catherine Toews had a chance to speak with Barrow via e-mail and he was kind enough to share his plans for the residency, insight into his creative process, and advice
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Review: TRACES at the Art Gallery of Greater Victoria

Here’s another review from Victoria-based contributor Catherine Toews. Catherine is an artist, graphic designer, writer, and cultural sector worker. TRACES is on view at the Art Gallery of Greater Victoria until April 21, 2013. Daniel Barrow, installation view, The Thief of Mirrors, 2012. Mixed media projection installation. Photo courtesy of the artist When I was an art student in Winnipeg,
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Loved: Thomas Demand at DHC Art Foundation, Montreal

The DHC Art Foundation in Montreal is small, and wonderful. The exhibitions  that I’ve seen there have been beautifully installed and it’s a lovely experience to see so few works at a time, curated as they are across four intimate floors and into a nearby space.  Thomas Demand is well known in Europe as the photographer who meticulously recreates images
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Toronto Design at the Gladstone Hotel: CUTMR

I stopped buy the Gladstone Hotel this afternoon to preview the works in this year’s tenth anniversary of Come Up To My Room, Toronto’s ‘Alternative Design Show’. It’s celebrating its tenth anniversary this year, and it’s always been a nicely condensed little show in which designers pair up to collaborate on room-sized installation on the hotel’s first floor. Andrew Ashbury
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Builders: The Second Canadian Biennale at the National Gallery of Canada

The National Gallery of Canada very kindly invited me to Ottawa – expenses paid – to see the current exhibition, which is called ‘Builders’, and is the second Canadian Biennale. (Did you know there was a Canadian Biennale?) According to curator Jonathan Shaughnessy, the show’s title is inspired by the idea of artists as not only players in the game,
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Looking Forward, Looking Back: Raymond Waters

I was reading an interesting essay had been recommended to me by Toronto artist Iris Haussler: The Way of the Shovel, by Dieter Roelstraete. In it, he discusses the fact that many artists are engaged in a “retrospective, historiographic mode—a methodological complex that includes the historical account, the archive, the document, the act of excavating and unearthing, the memorial, the
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