Entries Tagged 'Sculpture/Installation' ↓

VoCA loves…Tracey Emin

Speaking of women artists, one of VoCA’s very favorites, Tracey Emin, has a retrospective exhibition on now in Edinburgh.


The typically outspoken artist Tracey Emin. Image: fawcettsociety.org.uk

Watch this brilliant, fascinating BBC newsclip of Emin doing a walkthrough of the exhibition HERE

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VoCA loves…Women Artists: Louise Bourgeois and her sisters

It’s no secret that women artists have been notoriously overlooked throughout the course of white, male-dominated art history.


Christiane Pflug, Kitchen Door with Esther, 1965. Image: christianepflug.com

There are many reasons for this, not least of which is that women’s ability to express themselves was seriously limited before they won the right to vote. For non-asian and non-First Nations women in Canada, this was in 1916 in Winnipeg.

Click HERE to see a 1974 CBC clip of Beatrice Brigden, recalling suffragette Nellie McClung’s famous ‘mock parliament’ of 1914. It’s great.

The early 20th century produced some women artists who are well worth knowing about, for instance Lilias Torrance Newton, Emily Coonan, the Automatiste Marcelle Ferron and the self-taught painter Christiane Pflug.

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Underrated Canadian artist: Sorel Etrog

Canadian sculptor and painter Sorel Etrog was born in Romania in 1933, studied in Tel Aviv and moved to Toronto in 1963 from New York, where he had been at the Brooklyn Museum of Art on scholarship.


Sorel Etrog, The Hand, 1972. Image: flickr.com

In 1959, Etrog had his first Canadian solo exhibition at Gallery Moos and shortly thereafter, having become a Canadian citizen, represented Canada at the Venice Biennale in 1966.

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VoCA Recommends…Ottawa: the Firestone Collection, the Viewer as Performer, Gian Luca Bernini

1. LE SALON: CELEBRATING 35 YEARS OF THE FIRESTONE COLLECTION OF CANADIAN ART

The Ottawa Art Gallery

2 August to 9 November 2008


Jean-Paul Riopelle, Perspectives, 1956. Image: tate.org.uk

The Firestone Collection of Canadian Art is a significant art collection that spans the modern period (1900-1980). Originally established by collectors O. J. and Isobel Firestone in the early 1950s, the collection contains approximately 1,600 works by a number of influential Canadian artists.

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VoCA Recommends…Dean Drever, Blood Sweat & Tears and Ryan Sluggett et al

1. Dean Drever: Bear Minimum

Michael Klien Gallery, Toronto

August 2 - 30, 2008

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Dean Drever, She Loves Me She Loves Me Not (Bullets). Image: douglasudellgallery.com

Dean Drever continues his examination of power and violence in this show, which takes as a theme the Kodiak bear.
Drever is a member of the Haida Nation and Haida culture acknowledges the bear as an embodiment of a supreme being having both extraordinary physical and supernatural powers.

Bear Minimum presents the Bear, life sized and hand carved.

Check out more on the website HERE.

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VoCA Recommends…Samuel Roy-Bois, Caroline Dukes, Roy Arden

1. SAMUEL ROY-BOIS: Let us, then, be up and doing; With a heart for any fate; Still achieving, Still pursuing; Learn to labor and to wait

Contemporary Art Gallery, Vancouver

June 13 – August 24, 2008

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Samuel Roy-Bois, J’ai entendu un bruit, je me suis sauvé/I heard a noise and I ran, 2003.
Image: samuelroybois.com

ARTIST TALK: Thursday, July 24th at 7pm

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Damien Hirst’ shenanigans

VoCA’s fasination with British artist Damien Hirst continues with a review of Toronto author Don Thompson’s book, The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art.

Check it out HERE.

Look for our review in an upcoming issue of Quill and Quire – we’ll post it on VoCA, too.

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VoCA loves…the Art Gallery of Ontario? (Iain Baxter&)

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Iain Baxter& Landscape with Sea Boats, 1999, (from the series Television Works).
Image: corkingallery.com

Over the years, we’ve loved the AGO (the Yoko Ono exhibition in 2002, the acquisition of David Almejd’s 2007 Venice pavilion installation, the Henry Moore sculpture gallery with the Julian Opie pole dancers, Swing Space) and we’ve loathed them (Nuit Blanche 2006, their lack of innovative curatorial thinking, the institution’s low energy and measly acquisition budget…)

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VoCA loves…Quebec (Part Two)

6. MASSIMO GUERRERA: DARBORAL

26 juin au 31 août, 2008

Quartier Ephemere/Fonderie Darling

“Darboral s’articule autour de plates-formes artistiques et spirituelles, qui invitent le visiteur à prendre part à différents rituels. Partages de nourriture à l’occasion de repas et suçage de noyaux, ateliers de créativité lors de moulages corporels et adaptation de prothèses, prise de conscience des modes d’ouverture physique et psychique, méditation, donnent lieu à une série d’éléments dont les traces de passage composent Darboral.”

It’s a work that concentrates on the rhythms of the creative experience, and shares these processes with others. It’s a contemplative space that gives back to art it’s original function, in the service of the ritual.

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The Massimo Guerrera installation at Quartier Ephemere. Image: VoCA

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VoCA Recommends…Toronto exhibitions

In addition to the Power Plant’s summer exhibition, Not Quite How I Remember It, featuring work by Gerald Byrne, Diane Borsato and Nestor Kruger, VoCA recommends Object Factory at the Gardiner Museum, which features ceramics by the likes of VoCA favorites Cindy Sherman and the late, great Ettore Sottsass (see previous post HERE.)


Cindy Sherman, Madame de Pompadour (née Poisson) Soup Tureen, 1990. Image: mintwiki.pbwiki.com

For the Power Plant, please click HERE and for the Gardiner museum, click HERE.

We also recommend checking out one of Toronto’s best new galleries, MKG 127.

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