The Toronto International Film Festival opens on September 9 and goes until the 19th.

An image by artist Douglas Gordon. Image: ursusbooks.com

This year, the buzz is bigger than ever, with TIFF’s new building downtown that is sure revitalize King Street near John. The small, old-Toronto style strip of buildings opposite, which house mostly touristy restaurants, have become TIFF’s poor cousins. Probably not long before they’re demolished.

In any case, this year’s Future Projections program, which sees film-based installations in galleries throughout the city, has a stellar lineup of international names, including Douglas Gordon, Michael Nyman and Stan Douglas.

Continue reading →

So we went to New York for five days last weekend. It was the usual late August hot, humid weather but we had two amazing art experiences that made it all entirely worthwhile.

1. Big Bambu on the roof of the Metropolitan Museum.

Doug and Mike Starn’s 40-foot high bamboo structure exemplifies what I always say about artists that do design-y type installations. It’s important to go big. The installation should always overwhelm the viewer so that the viewer feels the effect of the artwork. And that may mean that the artist needs to work for days, months on the project to get it large enough. A lot of young installation artists should heed this advice, I think.

Continue reading →

I’m working on a video exhibition with the public art organization No. 9 Contemporary Art & the Environment. It’s called Four Directions, and its opening will coincide with the opening of Evergreen at the Brickworks, Toronto.

SUNDAY September 26, 2010 – December 31, 2010

The exhibition is designed to reflect the mandate of the public art organization No. 9: that contemporary art can stimulate positive social and environmental change. The group video exhibition features four powerful environmentally themed video artworks, each screened inside one of four restored drying kilns (long tunnels). The kilns are located at the North end of the Heritage Brick Factory, Building 16, which is a 52,000 square foot space, the largest building on-site.

A still from Lessons of Darkness. Image: uashome.alaska.edu

The works to be screened are Lessons of Darkness by the legendary German filmmaker Werner Herzog and three Canadian artists:

L’Or blanc/White Gold, a No. 9 commission by Isabelle Hayeur
The Cyanide Flats: 50?54´15´´N / 95?20´20´´W, a No. 9 commission by Val Klassen
Waterspeak by Dana Claxton

The exhibition’s goal is to acknowledge manmade environmental destruction and to offer alternative ways of thinking about a healthy earth that suggest re-growth and healing. The exhibition will present a journey for the viewer from Herzog’s bleak documentation of Kuwait’s burning oil fields to Isabelle Hayeur’s curtain of softly falling salt crystals, followed by Val Klassen’s still signs of hope within a ravaged landscape, to Dana Claxton’s mesmerizing plea on behalf of water.

Without being overly didactic or preachy, together the three works will provide a response to Herzog’s Lessons of Darkness. As the viewer progresses through each tunnel, he/she will witness environmental devastation, followed by works that engage the emotions to suggest mindfulness, respect and honour for our environment.

Check out No. 9 Contemporary Art & the Environment, HERE.

I saw Julian Schnabel introduce his film Before Night Falls, about the Cuban novelist Reinaldo Arenas when it had its North American premiere at TIFF in 2000; the artist and filmmaker shuffled up onto the stage in his bathrobe and slippers and gave a highly entertaining Q and A.

Artist and filmmaker Julian Schnabel. Image: salon.com

This year, he’s back – for his upcoming show at the AGO, which opens September 1st – and will introduce his Carte Blanche selection, which is Hector Babenco’s film Pixote (1981), about child criminality and survival in the Brazilian slums and Before Night Falls. Schnabel will introduce both screenings, which will be followed by a discussion.

Surely, a screening and talk not to be missed. If Schnabel is an excellent artist, he is surely an equally excellent filmmaker.

Continue reading →

The Canadian Art Foundation––where I work––recently hosted Peter Eleey, curator at PS1 Contemporary Art Center, for a lecture when he was in Toronto.

David Lamelas, Limit of a projection I, 1967. Theatre spotlight in darkened room. Image: spruethmagers.net

In THIS excellent video, Eleey, formerly curator at the Walker Art Centre in Minneapolis, gives a fascinating account of his curatorial influences when preparing The Talent Show, a recent exhibition for the Walker, that “examines a range of complicated relationships that have emerged between artists, audiences, and participants in light of the competing desires for notoriety and privacy that mark our present cultural moment.”

Continue reading →

Last week, we attended a cocktail party in honour of the new director of Canadian Stage (CanStage) – Matthew Jocelyn. He has just announced his programme for the 2010-2011 season in Toronto, and it sounds FANTASTIC.

Merce Cunningham dancers performing against a backdrop by Robert Rauschenberg.
Image: nytimes.com

I spoke briefly with Mr. Jocelyn, who is interested in encouraging multidisciplinary artistic collaborations a la Merce Cunningham/John Cage/Robert Rauschenberg.

Continue reading →

The finalists for the 2010 Sobey Art Award were announced today. The artists, selected by a jury from each region of Canada, are competing for the Award’s $50,000 top prize. Bendan Tang may be the newest kid on the block, but our money’s on Duke & Battersby or the excellent Daniel Barrow, who was passed over in 2008.  Do we have wonderful artists in this country, or what?

The 2010 Sobey Art Prize shortlist:

• West Coast and Yukon: Brendan Lee Satish Tang

A work by Brendan Lee Satish Tang. Image: illusion.scene360.com

Continue reading →

This past weekend, an exhibition titled Art School: Dismissed, curated by Heather Nicol, brought together works made by artists who are also art teachers. It took place in a decommissioned elementary school in Toronto. Here are some highlights:

The exhibition’s poster. All photos by VoCA.

Jay Wilson‘s sculpture made from toothpicks and white glue.  It reached nicely between floor and ceiling, and was a reminder of school art projects, where the joy was in making something really cool. We liked its shape and structure.

Continue reading →

It’s well known – in the art world, at least – that many artists support their careers by teaching.

It has also become popular for artists, collectives and independent curators to mount exhibitions in abandoned spaces.

Johanna Householder, video stills from installation in the Principal’s Office. Image: courtesy Heather Nicol

Continue reading →

Marshall McLuhan’s poetic description of photographs as “dreams that money can buy,” begins the catalogue text for the 2010 CONTACT photography festival in Toronto.

A view of the exhibition by David Rokeby. Image: VoCA

The 2010 festival, on throughout May in various venues across the city, celebrates the media legend – wonderfully and appropriately – on the 30th anniversary of his death.

Continue reading →