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Art Books: A Collector’s Bookshelf Part Four

VoCA contributor and artist book collector Bill Clarke is back with a third installment from his collection, this time of books that take the form of exhibition catalogues. Check out parts one and two HERE and HERE, and part three, below. “Recent Snow”: Michael Snow That/Cela/Dat, 2000. Image:

VoCA Predicts: The Rise of International Klein Blue

About 4 years ago, we predicted the importance of mirrors in art. Michelangelo Pistoletto breaks mirrors during a performance for the creation of his “Twentytwo less two” installation at the 2009 Venice Biennale. Image: And then we started to see it, slowly seeping in: David Altmejd’s mirror-covered pavilion at the 2007 Venice Biennale, Michelangelo Pistoletto, resurrected in Venice in
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Untitled: The Movie

It’s perhaps unsurprising, given the inflated heights to which it has recently risen, that filmmakers would be attracted to the comedic aspects of the contemporary art world. Martin Creed, Work No. 227 Lights going on and off, 2000. 5 seconds on / 5 seconds off Image: In New York last weekend we saw the film Untitled, which offers an
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Alberta: Glenn Ligon, John Gerrard & Toronto: Dan Graham

Alberta is seeing a lot of cultural action these days. There’s Santiago Calatrava’s controversial bridge, Lethbridge’s own (and VoCA favorite) David Hoffos with a large retrospective coming up this fall at the National Gallery of Canada, and Nigerian artist El Anatsui giving a talk tomorrow at the Glenbow Museum, courtesy of the Canadian Art Foundation, to name just a few
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Edmonton: Surveillance and Shopping as Art

Thomas Kneubühler: Tresspass Act and J. Stanton: Art Paraphernalia for a Modern World Latitude 53, Edmonton 7 August – 5 September, 2009 Thomas Kneubühler, Access Denied, Le Black Jack Resto Bar (Guard#7) Image: Kneubühler’s artist project comprises a traditional gallery show, and more interestingly, a series of large billboard-sized outdoor photographs of security guards displayed on the sides of
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